Antiques & Antiquing, Art, DIY, Interior Style

From moodboard to moody room….

In my head I came up with an idea for a ‘rustic ambient dining room inspired by the Wicklow Mountains in Autumn.

I visualised all my ideas here:

and when it came to creating the space from a white 12sqM box at the Colortrend Interior Design Forum last weekend here are lots of shots of how it manifested itself…..

Imagea stunning landscape by Robert Russell and intricate etching by Jean Bardon are picked up by the ambient light


Imagethe pop of orange from the handmade cushion that I bought on etsy is echoed in the nasturtiums painting by Brien Vahey


Imagea string of lights set off the wall colour beautifully and I painted out my granny’s old kitchen shelves to really display the antique bits and bobs and rows of houses on them



The table was set for an Autumn supper, with rustic ceramics by Crannmor Pottery and place mats made especially by James Carroll teamed with antique wine glasses dating back to 1870 from my antique dealer on the hill in Enniskerry Village – more about him in a later post!. The handblown glasses were engraved with ferns – a detail following trough from all the nods to nature elsewhere on the set…




An antique décanter housed some port ready for supping from some of my vintage glasses all set off by an old lace cloth that belonged to my Mum that I brought to life again by dyeing it an antique grey.


ImageMy framers made this mirror with pretty detail, here it reflects the oil landscape by Brien Vahey


Imagemy antique dealer had some old fallow deer antlers which sat very neatly with this new mirror


Imageso I hope you have enjoyed this little tour of what happens when ideas from the drawing board come to life …..

Antiques & Antiquing, Art, Inspiration

What a difference a frame makes

A frame can make or break a painting. It is there to encase, protect and enhance but in a very subtle way. If a frame is working your eye should be drawn immediately to the image. Its hard for me as a curator as bad frames really annoy me! When you get it right …ooh!

But here I am asking you to focus on the frames…..

I acquired this wonderful oil sketch of Wicklow by George Campbell RHA (1917-1979) from a bric -a-brac shop last month


but even though the frame was new it just wasn’t right for me. So I painted the outer part in off black by Farrow & ball – a lovely chalky finish.


much better!

Then there was this beautiful oil of Richmond Park by Lee Campbell in a simple wooden frame. (Just realised by pure coincidence she has the same surname as previous artist!)


The frame was fine, not detracting from the picture, but I wanted to pull out those lovely shadows Lee has painted so I re-framed it in a more substantial darker frame with hints of dulled gold around the edges enhancing the light dancing on the summer grasses – now I feel like I am there when I look in to the painting!


and lastly my painting of Coliemore Harbour by Brien Vahey. Here he is signing it for me


I have framed this in a heavy frame also – in keeping with the style of my sitting room. I had it framed in a gold frame but found the gold too yellow so last night I added a black/brown chalky wash on the curved part, this has calmed it down and again pulls out Brien’s shadowy strokes. am delighted with it and it hangs happily with the Lee Campbell beneath.


So sometimes you can improve a frame yourself with a tester tin of paint

Or you may not see it, but some of the artwork on you walls that you are not too enamoured with, may be just because the frame is not doing it’s job.

Part of my Home Curation Service entails home visits where I can help you rethink how old paintings are framed as well as how they are hung.

more info see: